Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father’s care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital’s legal team and do what’s best for the patient?

When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him. Met with indifference and negligence at every turn, Sonia’s desperation triggers a primal survival instinct as a series of increasingly violent confrontations unfold. A sharp, urgent tale of a distraught woman intent on protecting her family at all costs, Rodrigo Plá’s latest film is an engrossing combination of thriller, drama and timely socio-political commentary. .

On 23 May 2010, 21-year-old Tonio van der Heijden was hit by a car and taken in a critical condition to hospital, where he died. A tragic event that drastically changed the lives of his parents, who watched their only son pass away in intensive care. Reminded of his life by everything around and inside them, Tonio’s life left a legacy of phantom pain for his parents who mourn, and struggle to prevent their own lives from being dragged into a downward spiral of sorrow.

This new installment in the popular and critically-acclaimed Donald Strachey Mystery series finds America’s favorite gay private investigator, Donald Strachey (Chad Allen), taking on the most complicated case of his career. After his long-time partner, Tim (Sebastian Spence), asks him to uncover the source of an anonymous and generous donation to the Albany youth center, he gets caught in a whirlwind of deceit and danger. When the lawyer who presented the donation turns up dead, the hard-boiled Strachey must race against the clock to capture the killer before he strikes again.”

Henry Adler lives in Ontario by himself, regularly visits his gruff and critical father, and works in a bank; he’s also an actor. He finds new purpose in life when he’s cast as a cop in a realistic TV show. He gets into the part, borrowing the uniform from wardrobe, and walking around the city streets. Soon he’s talking to bank customers as if he’s a cop; this gets him in trouble with his boss, but Henry doesn’t care. He falls for one of the actresses, Charlie, and they practice together. Henry’s quirks and his intensity creep her out, though, and she breaks off all contact. He’s desolate. Things come to a head when one of LA’s finest mistakes Henry for a real cop.